I didn’t come into filmmaking through a straight line.
It was more like fragments — images, sounds, moments that stayed longer than they should.
Over time, I learned how to shape them.
I work somewhere between editing and directing.
Between control and intuition.
Between what is planned and what reveals itself in the process.
I’m drawn to atmosphere —
to the space between actions,
to rhythm, to silence, to the feeling that something is happening beneath the surface.
My background includes film editing, short-form storytelling, music-driven visuals, and more recently, AI-based work.
Not as a replacement, but as an extension —
a way to explore images that don’t exist yet, but feel familiar.
What connects all of them is a search for something real —
even if it’s built artificially.
